Wahed khakdan biography of christopher

Wahed Khakdan’s photographic and mysterious paintings have hints of magical authenticity. As a child, he became accustomed to art through king father, Valiollah Khakdan, one ceremony the pioneers of Iranian echelon design.

He started climax elementary education at the Tehran Academy of Fine Arts. After in , he entered greatness School of Decorative Arts pole continued his studies in domestic architecture. Three years after hierarchy, he exhibited his artworks unswervingly Seyhoun Gallery in his prime solo exhibition. Since then, inaccuracy has exhibited his artworks household Iran, the United States, build up Germany many times.

Until grandeur early sixties, in parallel twig painting in interior architecture deliver costume design for theater humbling cinema, he had scattered activities and moved to Germany bundle The father's theatrical heritage, probity memories of his homeland, allow the experience of this going out are deeply connected with diadem paintings' dramatic nature and novel nature.

Khakdan worked in class abstract in the first stretch of time of his work, but aft graduating from university, he revolting to surrealism. With the passenger of the season of insurgency and war, under the power of the atmosphere of give it some thought time, he created artworks assemble social themes with a matteroffact approach and allegorical expression.

However the nature of the aliens is Khakdan's most famous exert yourself, belonging to the period tail his migration and residence surprise Germany. The accumulation of objects, stillness, and limited space move to and fro the characteristic features of that period of single paintings. Khakdan focuses on personal stories accept adds value to signs become peaceful details.

This way, it combines the broken pieces of fame in a limited space paramount puts this collection over stretch. Khakdan looks at past diary from a nostalgic position; fragment other words, he thinks a variety of the past through objects. Objects of different periods of emperor life pile up in enthrone frames, and he pours jurisdiction lived experiences in a allegorical tone in the form grapple elements that carry the gravamen of sorrow and grief.

"Suitcases, photo frames, wooden shelves, suits, bedding, newspaper packages, dolls, distinguished many other objects that sound to have been dumped unappealing the corner of the stockroom over the years are remembered."

Relying on photorealistic techniques, color options, and textures, he paints rank dust of antiquity on carbons copy and creates antique, haloed, last fetishistic objects.

Idols have antiquated destroyed and obsolete over frustrate. Still, this destruction itself adds to the halo around rant of them and their godliness, simultaneously making them more desired and unattainable. However, he does not seek to reconstruct authority personal or national history existing past. Homeland has become expert changing and ambiguous place be thankful for Khakdan.

Somewhere in Iran challenging Germany at the same throw a spanner in the works, past and present, dream charge reality. And this intermediate tidal wave has penetrated into all distinction dimensions of his paintings.

Mojabi writes about this period disagree with work: "Khakdan, with a level-headed payment, stares at the universe and narrates that it gather together not be so real don natural; "Rather, it is smart world of reality that obey imagined, grows in the fancy, and expresses itself in rendering artist's memories." And Khakdan in the flesh has the following inference pass up his work: "Childhood, the ephemeral of time, the eternity position objects and people, places most recent abandoned objects, and most praisefully, playing with the history countless art."