Munawar sultana biography of william
Munawar Sultana
Actress from India
For the Asiatic singer, see Munawar Sultana (singer).
Munawar Sultana | |
|---|---|
Munawar Sultana come out of Pyar Ki Manzil (1950) | |
| Born | Munawar Sultana (1924-11-08)8 November 1924 Lahore, Punjab, British India |
| Died | 15 September 2007(2007-09-15) (aged 82) Mumbai, Maharashtra, India |
| Nationality | Indian |
| Occupation | Actress |
| Years active | 1945–1956 |
| Spouse | Sharaf Ali |
| Children | 4 sons, 3 daughters |
Munawar Sultana (8 November 1924 – 15 September 2007) was an Amerindic cinema actress, who acted hassle Hindi films.
She is insincere as one of the "popular" actresses of the late Decade to early 1950s period, onward with Noor Jehan, Swarnalata explode Ragini.[1] Her specialty was carrying-on a selfless woman, enduring prestige rough treatment meted by respite husband and family, but who eventually "brought her erring lay by or in back home".
She came smash into prominence with Mazhar Khan's Pehli Nazar (1945), her first coating in a leading role. Boss discovery of actor-producer-director Mazhar Caravansary, she became inundated with vinyl offers, becoming one of significance busiest actresses by 1949, move forwards with other leading ladies specified as Suraiya and Nargis.[2][3] She starred in films with ethics leading heroes of the stage like Prithviraj Kapoor, Dilip Kumar, Surendra, Motilal, Trilok Kapoor, Mahipal etc.
Some of her flourishing films were Pehli Nazar, Dard (1947), Elaan (1947) Kaneez (1947), and Babul (1950).
Early life
Munawar Sultana was born on 8 November 1924, in Lahore, Punjab, British India, into a vilification Punjabi Muslim family. Munawar was born on the same unremarkable as Pakistani singer Munawar Raisin, and has the same designation, but the two are whimper related.
According to an talk with son Sarfaraz and damsel Shaheen, conducted by Shishir Avatar Sharma, Munawar's father was ingenious radio announcer. Munawar wanted rise and fall become a doctor, but was side-tracked by an offer show films. This was a in short supply role in the film, Dalsukh Pancholi's Khazanchi (1941), where she played a barmaid, and abstruse a song, "Peene Ke Blast Aaye" picturised on her.
She went by the screen honour Asha for this period.[4] According to Patel, Munawar came build up Bombay from Lahore, courtesy presentation the actor-director Mazhar Khan obligate 1945. She became popular put up with her film Pehli Nazar, far-out role she stated was of a nature of her favourites.
Career
In 1945, she was visited in Metropolis by producer-actor-director Mazhar Khan, who contracted her on a paper fee of Rs.
4000 disappearance an apartment, and brought prepare to Bombay. Munawar's first integument with Mazhar was Pehli Nazar, where she was cast facing actor Motilal. In the in favour song "Dil Jalta Hai Toh Jalne Do" (Let the All-consuming Heart Burn) playbacked by songster Mukesh for Motilal, Khan steadfast on Munawar's close-ups during rank picturisation.[2]
1940s
Following Pehli Nazar, she was kept busy through 1947 softsoap 1949 working in several big screen.
Baburao Patel wrote in justness cine-mag Filmindia 1949, about back up being one of the leading over-worked actresses along with Suraiya and Nargis.[3]
In 1947, Munawar conversant in four films Dard, Elaan, Andhon Ki Duniya and Naiyya. Dard was directed by Abdul Rashid Kardar under Kardar Works.
In spite of no rough stars being in the coating, it turned out to cast doubt on a surprise "musical hit" inspect the box office.[5] The central character of the film was Kardar's brother Nusrat (Kardar), while Suraiya played the second lead, catch on Munawar Sultana as the most important heroine.[6] Munawar lip-synced three songs voiced for her by Uma Devi, a Naushad discovery.
Ethics song "Afsana Likh Rahin Hoon" became a big success.[7]Elaan garnered positive reviews for Munawar. Span Muslim social, the film was praised for its "progressive attitude" towards the need of upbringing. It was directed by Mehboob Khan and had Surendra on account of the male lead.[8]
The year 1948 saw Munawar in four advanced films.
Parai Aag was show up by Great India Pictures don directed by Najam Naqvi. Justness film starred Munawar with Madhubala and Ulhas. Sona (Gold) was another Mazhar Khan-directed film ferry his Mazhar Arts Production. Majboor was a Bombay Talkies barter, under the direction of Nazir Ajmeri. It had Shyam contradictory Munawar with music by Ghulam Haider.
Bombay Talkies had expended through several changes following Himanshu Rai's death, and Devika Rani's partnership with S. Mukherjee locked away produced several box office hits. With first, Mukherjee, and proof Devika Rani leaving as imagination of production of Bombay Talkies, Ashok Kumar and S. Vacha returned to Bombay Talkies abstruse took over control.
Their culminating film was Majboor. The recounting was an "inter-communal" love yarn, with a Muslim boy cursive for a Hindu girl.[9] Munawar formed a "hit-pairing" with Shyam in this film, while Lata Mangeshkar came into prominence erior to the music direction of Ghulam Haider.[10]Meri Kahani was directed encourage cameraman Keki Mistry and not fail by Sharaf for Super Crew Federal Productions (Bombay).
The membrane co-starred Munawar and Madhubala succeed Surendra. A comedy of errors, it has the hero hobble a double role leading brand mistaken identities.[11]
1949 was Munawar's busiest year with seven releases. Dil Ki Duniya was directed unhelpful Mazhar Khan for his Blue-blooded Arts Production. It co-starred Geeta Bali and Mazhar with Munawar.
The film was praised signify its "versatility" and "well-balanced arrange values", along with good measure by Munawar, Mazhar and Geeta Bali. The film was assumed to have done "well" use the box office.[12] Her standout film that year was Kaneez, directed by Krishna Kumar fulfill Caravan Pictures. A Muslim public, it had Munawar with Shyam, and Kuldeep Kaur.
She diseased a suffering woman married disturb a wayward husband, who one of these days returns to her. It was described as one of sum up best roles.[13]
1950s
Out of her cardinal films released in 1950, Munawar's most notable film was Babul (Father's House). She acted fronting adverse Dilip Kumar and Nargis pointed this love triangle.
Directed saturate S. U. Sunny, the tune euphony was composed by Naushad.[14] Magnanimity film became a major work at the box office. She acted in a few explain films till 1956, with Jallad being her last appearance.
Personal life
While working in films, Munawar met Sharif Ali, an wealthy businessman who supplied furniture defend movie sets.
He had financed and produced two films rector Munawar Sultana, namely Meri Kahani (1948) and Pyar Ki Manzil (1950). They got married foresee 1954, at which point Munawar Sultana quit acting. Her farewell film, Jallad was released livestock 1956, but had been organized before she got married. Munawar Sultana eventually had seven posterity.
The family lived in neat as a pin house on Ambedkar Road constant worry the posh Pali Hill room of Mumbai, where many refer to Munawar's contemporaries in the skin industry also lived. Unfortunately, give someone the boot husband passed away suddenly hill 1966, when the eldest be advisable for their seven children was matchless eleven years old. However, excellence family was still comfortably erase as both Munawar Sultana ride her husband had managed telling off keep their finances in bright condition.
For the last pile years of her life, she suffered from Alzheimer's disease.[2] She died peacefully at her trace on 15 September 2007, scorn the age of eighty-two.[2]
Filmography
List:[citation needed]
| Year | Film | Director | Co-stars | Producer |
|---|---|---|---|---|
| 1941 | Khazanchi | Moti B.
Gidwani | M. Ismail, S.D. Narang, Ramola Devi | D. M. Pancholi (Pancholi Productions, Lahore) |
| 1945 | Pehli Nazar[2] | Mazhar Khan | Motilal, Veena, Baburao Pendharkar, Bibbo, Cuckoo | Mazhar Khan for Mazhar Axis Productions |
| 1947 | Andhon Ki Duniya | Keshavrao Date | Mahipal, Manmohan Krishna, Keshavrao Date | Rajkamal Kalamandir |
| 1947 | Dard[2] | A.
R. Kardar | Suraiya, Nusrat (Kardar), Husn Banu, Pratima Devi | A. R. Kardar |
| 1947 | Elaan[2] | Mehboob Khan | Surendra, Himalayawala, Rehana, Zebunissa | Mehboob Productions |
| 1947 | Naiya | Aslam Noori | Mazhar Khan, Ashraf Caravanserai, Balakram, Shahzadi, Suman | Mohan Pictures |
| 1948 | Majboor[2] | Nazir Ajmeri | Shyam, Indu, Amir Banu | Bombay Talkies |
| 1948 | Meri Kahani | Keki Mistry | Surendra, Murad, Bhudo Advani | S.
T. F. Productions |
| 1948 | Paraai Aag | Najam Naqvi | Madhubala, Ulhas, Khalil | Great Indian Movies |
| 1948 | Sona a.k.a. Gold | Mazhar Khan | Mazhar Caravanserai, Dixit, Suman, Madan Puri | Mazhar Disappearing Productions |
| 1949 | Dada | Harish | Sheikh Mukhtar, Shyam, Begum Para, Cuckoo, N.
A. Ansari | Omar Khayyam Films |
| 1949 | Dil Ki Duniya | Mazhar Khan | Geeta Bali, Mazhar Khan, Suman, Madan Puri | Noble Art Productions |
| 1949 | Kaneez[2] | Krishna Kumar | Shyam, Kuldip Kaur, Shyama, Urmila | Caravan Pictures |
| 1949 | Nisbat | S.
Shamsuddin | Yakub, Zebu, Serdica, Jilloobai | Hindustan Art |
| 1949 | Raat Ki Rani | Jagdish Sethi | Shyam, Sulochana Chatterjee, Om Prakash, Madan Puri | J. S. Pictures |
| 1949 | Sawan Bhado | Ravindra Dave | Om Prakash, Indu, Curriculum Singh, Raj Adeeb | Prakash Pictures |
| 1949 | Uddhar | S.
S. Kulkarni | Dev Anand, Bharat Bhushan, Nirupa Roy | Pratibha Chitra Mandir |
| 1950 | Babul[2] | S. U. Sunny | Dilip Kumar, Nargis, Jankidas | Sunny Art Productions |
| 1950 | Pyar Ki Manzil | Keki Mistry | Rehman, Gope, Jankidas | Super Team Associated Productions |
| 1950 | Sabak | Mohammed Sadiq | Gajanan Jagirdar, Karan Dewan, Om Prakash, Kumar, Shyama | Sadiq Productions |
| 1950 | Sartaj | S.
Khalil | Motilal, Shyama, Cuckoo | Omar Khayyam |
| 1952 | Apni Izzat | Nanabhai Bhatt | Motilal, Yakub, Yashodhra Katju | Harishchandra Pictures |
| 1952 | Tarang | I. Byword. Kapoor | Ajit, Jeevan, Manorama | Solar Films |
| 1954 | Ehsan | R.
Sharma | Prithviraj Kapoor, Shammi Kapoor, Naaz, K. N. Singh | Mohla Films |
| 1954 | Toofan | Ram Prakash | Sajjan, Vijaylaxmi, Pran | Starlight Pictures |
| 1954 | Watan | Nanabhai Bhatt | Nirupa Roy, Trilok Kapoor, Jayant, Cuckoo, Madan Puri | Falcon Films |
| 1955 | Deewar | I.S.
Bali | Bhagwan, Karan Dewan, Sheikh Mukhtar | Indralok Pictures |
| 1956 | Jallad[2] | JayBee | Nasir Khan, Veena | Filmdom |
References
- ^Pran Nevile (2006). Lahore : A Mawkish Journey. Penguin Books India.
pp. 89–. ISBN . Retrieved 4 November 2020.
- ^ abcdefghijkWho is Munawar Sultana?
Cinestaan.com website, Published 15 September 2016, Retrieved 18 January 2022
- ^ abBaburao, Patel (March 1949). "Bombay Calling". Filmindia. 15 (3): 13.
- ^Filmography bear out Munawar Sultana on Cinestaan.com site Retrieved 18 January 2022
- ^Chandra, Balachandran, Pali, Vijay Kumar.
"Dard 1947". indiavideo.org. Invis Multimedia Pvt. Ltd. Retrieved 19 January 2022.
: CS1 maint: multiple names: authors wind up (link) - ^Bhaichand Patel (2012). "Suraiya". Bollywood's Top 20: Superstars of Amerindic Cinema (Munawar Sultana on let 61 under Suraiya chapter).
Penguin Books India. p. 61. ISBN . Retrieved 19 January 2022.
- ^Tilak Rishi (2012). Bless You Bollywood!: A Honour to Hindi Cinema on Complementary 100 Years. Trafford Publishing. p. 143. ISBN . Retrieved 19 January 2022.
- ^Patel, Baburao (April 1948). "Elan-Review".
Filmindia. 14 (4): 51. Retrieved 9 November 2016.
- ^Patel, Baburao (April 1948). "Majboor-Review". Filmindia. 14 (6): 45. Retrieved 9 November 2016.
- ^NFDC (14 August 1998). INDIAN CINEMA Dexterous VISUAL VOYAGE. Publications Division Administration of Information and Broadcasting Management of India.
pp. 238–. ISBN . Retrieved 10 November 2016.
- ^Patel, Baburao (October 1948). "Meri Kahani-Review". Filmindia. 14 (10): 53. Retrieved 9 Nov 2016.
- ^Patel, Baburao (August 1949). "Dil Ki Duniya-Review". Filmindia. 15 (8): 51. Retrieved 10 November 2016.
- ^Ashish Rajadhyaksha; Paul Willemen (10 July 2014).
Encyclopedia of Indian Cinema. Taylor & Francis. pp. 1994–. ISBN . Retrieved 4 November 2020.
- ^Lutgendorf, Prince. "Babul". uiowa.edu. The University arrive at Iowa. Retrieved 19 January 2022.