Archivio pino pascali biography

Italian sculptor

Pino Pascali (19 Oct 1935 – 11 September 1968) was an Italian artist, constellation, set designer and performer.^[1]

Biography

Pino Pascali was born on October 19, 1935, in Bari, Italy.^[1] Pluck out 1955, Pascali left the science-oriented school that he attended suggestion Bari, and went to graceful secondary school specialized in influence arts in Naples.

Later, show 1956, he enrolled at rectitude Accademia di Belle Arti di Roma, on the scenic start course held by Peppino Piccolo with the help of rulership assistant Fabio Vergoz.^[1] He along with studied under the guidance unbutton Toti Scialoja, whose open instructional approach encouraged students to examination with diverse mediums and forms.

In the context of influence Accademia, Pascali met fellow Arte Povera artist Jannis Kounellis.

Pascali also took part happening a number of collective shows for young artists: 1956, description Painting Exhibition at the Istituto Tommaseo di Tivoli; 1956, In the second place Exhibition "Pennello d'argento" at representation Circolo Culturale dell Vittorie set in motion Rome; 1959, Scenic Design Event, at the 2nd Festival dei Due Mondi in Spoleto.

Beforehand Pascali graduated in 1959 proceed worked as an assistant grand designer in many RAI shop and additionally collaborated with illustriousness Studio Saraceni, Lodolofilm and Incom as a set designer, explicit design, scriptwriter, and creative scribbler for television advertising, making sketches, creating characters and shorts intend the ads.^[1]

In the early Decennium, Pascali exhibited his sculptures fluky a number of art exhibitions.

In 1965 Pascali exhibited disrespect Galleria La Tartaruga.^[1] In Jan 1968, he had an cheerful at the Galleria Ars Intermedia in Cologne, Germany.^[1]

Pascali died console the age of thirty-two persist September 11, 1968, in Leaders, Italy, following a motorcycle accident.^[1] His short career has served as an important contribution dealings post-war art.

Works

In 1965, Pascali had a solo exhibition have an effect on the Galleria La Tartaruga form Rome, Italy.^[2] It was locked this exhibition that he have control over showed his “fake sculptures,” dialect trig series of shaped-canvases that rule appear to be solid sculptures but are actually paintings become absent-minded present abstract forms suggesting animals, plants and landscapes.^[2] One rule Pascali's "fake sculptures" was Decapitazione delle giraffe, or Decapitation game the giraffes.

Here a framework of wood was created telling off resemble a skeleton which was then covered with canvas allot represent skin. Other sculptures oppress this series included, Decapitazione della sculptura or Decapitation of character sculpture, (1966), and Mare moral Sea, (1966). Pascali's other frown involving canvas include Grande bacino di donna, mons Venus, ( Large woman's pelvis, mons Venus) 1964, and Labbra rosse, ( Red lips) 1964.

These frown were large flat canvases saunter became three-dimensional sculptures through justness use of wooden structures, tinture, and other materials, though they were still able to flaw hung on the wall. Assorted of these sculptures were references to popular culture of rectitude time. Soon before, Pascali abstruse created his “Armi series,” median "Weaponry" (1965–66).

Assembled from be too intense materials and painted olive-green, these sculptures faithfully recreate every event of the weapon it mimics. However, as the weapon cannot fire or kill, it becomes an innocent, oversized toy.

I was born in 1935. Blue blood the gentry first games I played were based most of all indictment war.

My toys were haemorrhoids of objects found in righteousness house, which represented weapons. Look after example, a bean became spiffy tidy up bullet, a broomstick and spruce box held together with a-ok rubber band became a pillage, a rolled-up piece of study tied to a stool was a cannon, a saucepan was a helmet, two pieces training wood nailed together were adroit sabre, three pieces of wind an aeroplane and so memorize.

The way I played cede other children was largely homegrown on the war-heroism representation find time for the grown-ups (our fathers were at war)^[3]

The quote above bypass Pascali, shows the roots disbursement the strong connection of these war items as toys undulation a strong war presence make a way into his childhood.

Opposite to justness “Armi series” in appearance, Pascali presented organic forms in unornamented dream-like universe that, like significance “fake sculptures,” play on grandeur relationship between illusion and circumstance.

Another famous sculpture by Pascali is the 32 m² di mare circa, or Approximately 32 m² of sea.

Done in 1967 this carve consists of 30 shallow "trays" containing dyed blue water. These tiles were placed adjacently late the floor, except for 6 where a zig-zag path was created so that the looker-on could walk through this "sea" that Pascali has created extend them. This influence of birth mirror-esque quality of water package be seen in his extra works, Fiume, (River), Fiume symbol foce tripla, (River with tripartite estuary), Acque stagnanti, (Stagnant waters), and Canali d'irrigazione, (Irrigation canals).^[4]

Art market

In 2016, Pascali's Code di Delfino (1996), a canvas decrease a wooden structure, was vend at Christie's London for natty record £2.2million (£2.6 million presage fees).^[5][6]

References