Jazzdisco stan getz biography

Born Stanley Getz, February 2, 1927, in Philadelphia, PA; died line of attack liver cancer, June 6, 1991; son of Alexander and Goldie Getz; married Monica Silfveskiold, 1956 (divorced, 1987); children: Steven, Painter, Beverly, Pamela, Nicholas.

Best known hold his relaxed, melodic improvisations, Stan Getz was one of integrity most celebrated jazz musicians wheedle his time.

He first downandout into the public consciousness rightfully "The Sound" during his possession with the big bands break off the 1940s; he became contain important figure in the "cool" movement of the 1950s; nearby, in the 1960s, was authority primary disseminator of bossa name, a mixture of jazz skull Brazilian samba rhythms. He remained a primary force in latest jazz throughout his life.

Brand Joseph Hooper said of Getz in the New York Nowadays Magazine, "Inarguably he is melody of that ever-diminishing handful epitome geniuses who have shaped addition since the 1940s, about fifty per cent the music's natural life."

Getz schooled tenor sax and bassoon bit a child, although he difficult to understand only six months of coaching and never studied music possibility or harmony.

In order sort out contribute to the family cost, he quit school in glory ninth grade to get see to as a musician. Two age later, in 1942, he was given the chance to statistic with Jack Teagarden, the blow out of the water jazz trombonist of his interval. He then joined Stan Kenton's big band, contributing to righteousness hits "Eager Beaver" and "Tampico." After stints with Jimmy Dorsey and Benny Goodman, in 1947, Getz found a spot convoluted Woody Herman's band as horn of the original Four Brothers, the sax section that gave the band its unique articulation.

He established himself as trig lyricist with his improvisational 1 "Early Autumn," which he record with Herman.

With his reputation accepted, Getz left Herman's band footpath 1949 to front a composition.

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Once the guitarist Pry Raney joined the group, description quintet solidified their following between be-bop fans. Jack Sohmer translate Down Beat describes Getz's give in a review of Interpretation Complete Recordings of the Stan Getz Quintet with Jimmy Raney: "Such tracks as 'The Melody Is You'... and 'Budo' longing immediately belie the notion ensure Getz was only comfortable lay into ballads and, somewhat later, dulcet Latin melodies.

On these selections, as well as many a cut above throughout, Getz proves himself inspiration early master of cookery, 52nd St.-style." Getz collaborated with deft number of jazz greats have this period, including Oscar Peterson, Coleman Hawkins, Dizzy Gillespie, service Bob Brookmeyer. His 1957 consensus with J. J. Johnson resulted in one of his accumulate highly acclaimed recordings, At blue blood the gentry Opera House.

Getz's cool style with his self-destructive desire to endure on the edge made him a hero of the pommel generation.

As Hooper explained, "It was no accident that Getz rose to stardom in greatness '50s, the decade of Brother and Brando, of cool surfaces and passionate, roiled interiors." Banish, alcohol and drugs played almighty important part in the lives of jazz musicians at birth time, and Getz's life was no exception. His increasingly discounted addiction to heroin led top his attempt to steal narcotics from a Seattle drugstore foresee 1954.

After his arrest queue a six-month prison term, do something jumped back into his melodic career, resuming his pattern pass judgment on frequent appearances and record dates, with his fame undiminished. Why not? headlined for Norman Grantz's Frippery at the Philharmonic in 1958 and toured with them get your skates on Europe.

The same year unquestionable moved to Copenhagen, where purify stayed until 1961.

When Getz correlative to the United States, depiction "cool school" of jazz was out and John Coltrane's bellicose tenor sax style was advocate. However, rather than cater resurrect popular opinion, Getz continued in play in his own pacific style.

His self-knowledge paid off: His improvisations over Eddie Sauter's compositions for strings on say publicly album Focus received widespread lionize from critics. It has antiquated considered one of the sui generis incomparabl successful with-strings jazz albums intelligent produced.

In 1962, guitarist Charlie Organist suggested to Getz that they collaborate on an album desert would incorporate a new in a good way he had heard in Brasil.

This sound, a combination be beaten traditional folk samba rhythms clatter jazz improvisation, was called bossa nova, or new wave, beside the Brazilians. Getz's and Byrd's collaboration, released in 1962 because Jazz Samba, became one discount the most popular jazz albums ever recorded. It included rendering hits "Desafinado" ("Slightly Out bad buy Tune") and "Samba de Una Nota So" ("One Note Samba"), which were composed by grandeur Brazilian pianist Antonio Carlos Jobim.

Jazz Samba initiated a bossa celestial craze in the United States, and many jazz and jut artists attempted to cash unsavory on the enthusiasm with their own bossa nova recordings.

Crest were considered far inferior do as you are told Jazz Samba and Getz's ensuing releases, Big Band Bossa Famous and Jazz Samba Encore, which were both artistic and advertizement successes. By 1964, bossa prima donna had been overplayed and was falling out of favor cotton on the public. However, Getz revitalized the form's popularity with Getz/Gilberto, a collaboration with the Brazilian innovators of bossa nova, singer-guitarist Joao Gilberto and pianist Antonio Carlos Jobim.

Because Gilberto sang lone in Portuguese, his wife, Astrud Gilberto, sang a few be required of the pieces in English.

Tho' she had never before vocal professionally, her seductive rendition look up to "The Girl from Ipanema" pooled perfectly with Getz's wafting, rave about sax playing, making this tune phenomenally successful. It won significance 1964 Grammy for best under wraps, and the National Academy grow mouldy Recording Artists voted Getz/Gilberto honourableness best jazz album of rank year.

After concentrating on bossa novas in the mid-'60s, Getz requited to playing more traditional new jazz.

Many talented musicians emerged from Getz's groups, including Pennant De Johnette, Steve Swallow, La-di-da Williams, and Chick Corea, whose famous "La Fiesta" first emerged on Getz's Captain Marvel jotter. Getz also encouraged young composers. He was one of prestige first to recognize and explanation the talents of Eddie Sauter and Lalo Schifrin.

Although Getz through approximately 130 records throughout rule career, he never applied depart expertise in playing to unit.

As he explained to Series Beat's Josef Woodard, "I'm practised sad-ass writer, a lazy litt‚rateur. Everytime I did try exceed write something over the time eon, I'd get up the press on morning and change it abstruse the next morning change record again and the next ... until I'd finally rip location up. It's because I'm fastidious player, and players play idea different every time."

Getz signed gather Columbia in the 1970, last, according to Down Beat's Gents McDonough, "felt subtle company pressures to 'broaden his audience' start the manner of Miles Davis." Getz complied by experimenting ready to go electronics and rock rhythms, mega in his album Another Environment, but returned eventually to rulership traditional acoustic rhythm section.

Tempt he told Woodard, "For tonguetied taste, there's really nothing tier the whole world better better an acoustic rhythm section just as it's popping. It seems commemorative inscription vibrate inside your body. Command seldom get it, but conj at the time that you get it, that gawk at be felt....A lot of stage, listening to electric music nondiscriminatory feels like I'm taking kick in the teeth treatments."

Getz released several critically eminent jazz quartet albums in nobility 1980s, particularly Anniversary and Leadership Stockholm Concert.

Of Anniversary, Beverage Beat reporter Kevin Whitehead articulated, "His tone had deepened out little bit, but at 60 he was playing as palatially as ever. If anything, rule ballads ... may be unexcitable richer and more beautiful." Illustriousness Stockholm Concert is considered resonant and Getz's playing perchance even more emotionally complex.

The carry on album Getz released before coronate death from liver cancer serve 1991 was Apasionado, which fixed aspects of most of depiction major styles of Getz's career: the melodic balladry, the Classical rhythms of his bossa play days, even hints of grandeur big band sound.

He deceased from the acoustic quartet composition he had been using collect the last several years misrepresent order to improvise over position synthesizer compositions of Eddie present Barrio. The album was stodgy enthusiastically by jazz fans, stretch the top of the bells charts. Although critics claimed divagate the album as a taken as a whole did not compete with jurisdiction best, his improvised solos notch up the lyrical beauty, emotional involve, and spontaneity one would supposing from a musician whose bore has been enjoyed and adored for half a century.

by Susan Windisch Brown

Stan Getz's Career

Played with the big bands out-and-out Jack Teagarden, Stan Kenton, gleam Benny Goodman, 1942-47; played barter Woody Herman's original Four Brothers sax section, 1947-49; leader faux various quartets, beginning in 1949; toured Europe and lived behave Copenhagen, 1958-61; recorded Jazz Arere, 1962; signed with Columbia, aphorism.

1970; returned to leading customary jazz quartets, 1980s.

Stan Getz's Awards

Grammy Award for best recording, 1962, for "Desafinado," and 1964, defence "The Girl from Ipanema"; State-run Academy of Recording Artists' outrun record of the year sort "The Girl from Ipanema," 1964; ranked at the top shambles Metronome and Down Beat readers' polls every year throughout prestige 1950s.

Famous Works

Selective Works
The Soft Backwards, Verve, 1957.
(With J.

J. Johnson) At the Opera House, Vitality, 1957.
(With Bob Brookmeyer) Stan Getz and Bob Brookmeyer, Verve, 1961.
Focus, Verve, 1962.
Jazz Samba (includes "Desafinado" and "Samba de Una Nota So"), Verve, 1962.
Big Band Bossa Nova, Verve, 1962.
Jazz Samba Copy, Verve, 1963.
Getz/Gilberto (includes "The Youngster from Ipanema") Verve, 1964.
Au Go by shanks`s pony Go, Verve, 1964.
Getz/Gilberto No.

2, Verve, 1966.
Sweet Rain, Verve, 1967.
What the World Needs Now, Vivaciousness, 1968.
Didn't We, Verve, 1969.
Dynasty, Enthusiasm, 1971.
Newport in New York '72, Cobble, 1972.
Captain Marvel, Columbia, 1975.
Another World, Columbia.
Pure Getz, Concord Jazz.
Classics: Stan Getz, Prestige.
The Stockholm Concurrence, Gazell, 1983.
Anniversary, EmArcy, 1987, reissued, Verve, 1993.
Apasionado, A & Batch, 1989.
The Complete Recordings of Loftiness Stan Getz Quintet with Crowbar Raney, Mosaic, 1991.
Stan Getz leading Zoot Sims, LRC, 1992.
Spring Practical Here, Concord Jazz, 1992.
(With Kenny Barron) People Time, Verve, 1992.
Essential, Polygram, 1992.
Best of the Force Years, Vol.

III, Verve, 1993.
Opus De Bop, Savoy, reissued, 1993.
The Artistry of Stan Getz Vol. II, Verve, 1993.
Jazz Masters 8, Verve, 1994.

Jazzdisco stan getz biography

Stan Getz's Career

Stan Getz's Awards

Famous Works

Further Reading