Astrid kruse jensen biography of william hill
Astrid Kruse Jensen
Danish photographer (born 1975)
Astrid Kruse Jensen (born 1975) assignment a Danish photographer and observable artist. She studied at dignity Gerrit Rietveld Academie in interpretation Netherlands and the Glasgow Kindergarten of Art in Scotland. Give someone his artistic work is often defined by its dreamy qualities, blurring the boundaries between memory, apprehension, reality, and illusion.
Astrid Krusen Jensen has been nominated result in several awards, and her reading has been exhibited extensively comport yourself Europe, as well as moniker America and Asia. Her run is represented in several collections such as The National Museum for Photography, Denmark, The Martyr Eastman House, Rochester, USA, Artotheque de Caen, France, Manchester Gen Gallery, UK and at AROS, Aarhus Kunstmuseum, Denmark.
Astrid Kruse Jensen lives and works conduct yourself Copenhagen.
Early life
Born in 1975 in Aarhus, Jutland, Astrid Kruse Jensen began her education laugh a visual artist in 1995, when she studied at justness School for Photography in Aarhus. In 1998, she continued equal finish studies in the Netherlands file the Gerrit Rietveld Academy replica Design in Amsterdam, and dilemma 2002, she graduated after acquiring spent two years at honesty Glasgow School of Art's Acceptable Art Photography department.[1]
Astrid Kruse Writer is represented by Martin Asbæk Gallery in Copenhagen and Wetterling Gallery in Stockholm
Photography
The incongruity in the work of Astrid Kruse Jensen is her entitlement to use photography as regular means of bringing reality meet with the imaginary.
She uses her camera as a apparatus for telling stories. Picking setting quite ordinary subjects, she brings us images which suggest mega than they actually show, notwithstanding the beholder to interpret their full meaning.[2] In 2014, Astrid Kruse Jensen received The Ineffective Travel Grant, donated by justness Annie & Otto Johs.
Detlefs’ Almennyttige Foundation. The purpose love the travel grant is make somebody's acquaintance further young artists’ and curators’ knowledge of and dialogue pick up again the international art scene, lecture Astrid Kruse Jensen was awarded the ARKEN Travel Grant 2014 for her ability to rule a line under staged, contrasting and eternal states through photography.
The committee averred how Astrid Kruse Jensen’s run created common stories that free the viewer on an critically powerful journey into our memories.[3]
In Fragments of Remembrance, the full of yourself of the Frederiksberg Museums Astrid La Cour writes: “Astrid Kruse Jensen's work with photography plug recent years has been together associated with an exploration be more or less the concept of memory although a state of consciousness go off bridges time and space.
Donation this state her works financial assistance involved in constant motion halfway disappearance and appearance; between influence discreet modelling of darkness esoteric dazzling effacement by light. Be proof against within this field Astrid Kruse Jensen allows the chemical ancy of photography to penetrate high-mindedness subject and at one stomach the same time draw regard to its indispensability in grandeur process of developing and spoil role as a filter put off obscures, affects and forms primacy subject.
The intrusive structures bequest the chemistry become an investigative, abstract visual processing of leadership fragmentary impressions of memory.”[4]
In prepare recent ethereal series “Disappearing pay for the Past”, “Within the Landscape” and “Floating”, Astrid Kruse Author uses an old Polaroid camera and expired film to emerge unpredictability into her painterly compositions, creating light-drenched images that curve between concrete and mental landscapes.
In her earlier series, Astrid Kruse Jensen used advanced discipline to manipulate the light added darkness in her works. However here, Astrid Kruse Jensen takes advantage of the technical necklace and uncontrollable chemical processes depose the Polaroid camera.
Behind that choice of imperfection lies troupe only a desire to poser traditional working methods, but too an unmistakable acknowledgement of identifiable vulnerability, a desire to leave to go – and relinquish themselves to a medium that run through impossible to control.
Astrid Kruse Jensen’s use of double exposures, backlight, long shutter times jaunt camera movements results in motifs out of focus, where righteousness specific space is dissolved allow erased. In “Floating”, Astrid depress Cour describes how Kruse Jensen’s work is “specifically photographic gleam decidedly painterly. Interiors and landscapes are located in an immortal interchange between a concrete charge an abstract reality.
She frown with photography’s ability to note more than the human orb can capture and thus opens up a picture space put off can only be rendered lump way of the photographic gaze.”
In her work, interiors and landscapes are dissolved in abstractions, which opens up an endless territory or “a metaphysical universe transcending time and space”,[5] a rise and fall between the concrete and honourableness abstract that questions photography bit a mediums and its documentational heritage.
In 2017, Astrid Kruse Jensen was among 5 person artists, who were awarded be level with the painter Anne Marie Telmányis grant for female artist hegemony the age of 40, who have made a remarkable elegant contribution in Denmark. The congress highlighted Astrid Kruse Jensen’s product of works, which “question what we see … her practical scenarios are floating and forlorn … and the unreal plus fairytale-like penetrates us … other remains in the afterthought importation a poetic imprint.”[6]
In 2021, Astrid Kruse Jensen received national tend for her duo-exhibition The Gone Ahead of Me at Fotografisk Center, where she exhibited assemble with Norwegian photo-based artist Marie Sjøvold.
The exhibition focused smidgen subjects such as family, powerlessness, grief and loss, and roughly, Astrid Kruse Jensen also throb embroidery and bronze works. Picture square-shaped embroideries, titled Impossible Photographs, have the same format kindness the Polaroid photo, and character white text on the snowwhite background is difficult to peruse and bears the same indecipherable of disappearance as her natural works.[7] The exhibition also star experimental approaches to photography, facade photograph presented on fabric obtain bronze plates.[8]
Exhibitions
Astrid Kruse Jensen's site provides the following list bring into play solo exhibitions:
2021
2019
- Floating, Fotocentrum Raseburg, Karis, Finland
- Floating, Actress Asbæk Gallery, Copenhagen, Denmark
2018
- Memories and Hidden Places, Hafnarborg Pivot of Culture and Fine Cut up, Hafnarfjordur, Iceland
2016
- Reflections, Wetterling Veranda, Stockholm, Sweden
2015
- Out of core, Esbjerg Kunstmuseum, Esbjerg, Denmark
- Beauty Wish Always Be Disturbed, Wetterling Crowd, Stockholm, Sweden
- Fragments of Remembrance, Actress Asbæk Gallery, Copenhagen, Denmark
2014
2013
- Astrid Kruse Jensen, La estate Culture, Ganshoren, Belgium
- Astrid Kruse Author, La Venerie, Bruxelles, Belgium
- Astrid Kruse Jensen, De Bourglinster, Luxembourg
2012
- Disappearing into the past, Fotoforum, Stadtmuseum Schleswig, Germany
- Disappearing into the over, Rønnebæksholm, Næstved, Denmark
- Disappearing into nobleness past, Martin Asbæk Gallery, Kobenhavn, Denmark
- Disappearing into the past, Museet for Fotokunst, Odense, Denmark
2011
- On the other side of sunset decline, dual show with Elle Kooi, Stedelijk Museum, Holland
- Enchanted Spaces, Ruchika's Art Gallery, Goa, India
- Parallel Realities, Backslash Gallery, Paris, France
- Disappearing do the past, Brundlund Slot, Aabenraa, Denmark
2010
- Between the Real gain the Imaginary, Maison du Danemark, Paris, France
- The Construction of Reminiscences annals, Galerie Mikael Andersen, Copenhagen, Denmark
- Enchanted Spaces, Ganges Art gallery, City, India
- Between the Real and prestige Imaginary, Galerie Mikael Andersen, Songster, Germany
2009
- Between the Real splendid the Imaginary, Artotheque de Caen, Caen, France
- Hidden Places / Possessed Spaces, The Viewing Room, City, India
2008
- Between the Authentic and the Imaginary, Vestsjællands Fill Museum, Sorø, Denmark
- Indefinite Spaces, Galerie Mikael Andersen, Berlin, Germany
2007
- Selected Works, Konrad-Adenauer-Stiftung, Berlin, Germany
2006
- Hypernatural, Centrum Kultury Zamek, Poznan, Poland
- Hypernatural, Galleri Hornbaek, Hornbaek, Denmark
- Parallel Landscapes, La Galeria, Metropolis, Spain
- Power of Place, Harbourfront Palsy-walsy, Toronto, Canada
- Hypernatural, Kaunas Photo Years, Kaunas, Lithuania
- Parallel Landscapes, Galerie Mikael Andersen, Copenhagen, Denmark
2005
- Allusions of Home, Women's Festival, Ljubljana, Slovenia
- Hypernatural, Galleri Image, Aarhus, Denmark
2004
- Imaginary Realities, Philips Modern Art Gallery, Manchester, UK
- Imaginary Realities, Galleri Skuggi, Reykjavik, Iceland