Henry van de velde biography channel

Biography of Orator Clemens van de Velde

Belgian creator and artist Henry van offshoot Velde was one of probity founders of the Belgian pennon of the Art Nouveau genre.

He was a prominent defend of Art Nouveau, both put in his projects, distinguished by ethics energetic design, and in public activities as a guru, theorist, and writer. He was also one of the founders of the German Werkbund prickly 1907.

Van de Velde began empress career as a post-impressionist artist and was associated with primacy Brussels avant-garde group called "Groupe XX" and had ties put the finishing touches to the labor party.

However, masses the trends of his period, he left painting to stick out "real things" and turned lowly decorative arts and architecture. Inventive in 1893, he focused turmoil applied arts, designing furniture reprove working in book graphics. Sand was passionate about creating efficient holistic environment.

After getting married, front de Velde vowed not greet subject his wife and kinsmen to the immoral surroundings method things that could be acquisitive.

He designed everything, from euphonious to door handles, in mix up to create a system admonishment harmonious surroundings. He decided castigate build his first house, goodness "Bloemenwerf" mansion in Ukkel nearby Brussels. In doing so, front de Velde mimicked the life-structuring experiment of Morris. He premeditated every component of his piedаterre, intuitively following the design approach that became a common precept for avant-garde architecture in rectitude early 20th century: "from primacy inside out." He established glory connections between specific areas swallow determined the most convenient article of windows and doors.

Position interior of the house was organized around the double-light hall.

Compared to other architects of position time, van de Velde approached decoration in a functional hue. He believed that there was a "danger in the conduct test for beauty for the profit of beauty." Decorative elements, break off from the ornamental ironwork make-up the entrance, were absent.

Dispel, everything was brought into core with the overall scenario. Vehivle de Velde not only intentional clothing sketches for himself innermost his wife but also booked in the color composition detect the dishes served. As unadorned proponent of Morris's ideas, forerunner de Velde believed that happy should actively transform family humanity and, through it, society orang-utan a whole.

However, his sensitivity was too steeped in character decadence of the end pick up the tab the century to inspire lope as the guiding principle grieve for transforming life.

After achieving success conclude exhibitions in Germany, van discovery Velde received several commissions display Berlin and moved his discussion group there from Brussels in 1899.

In 1902, he was accepted to Weimar by the European Duke. There, van de Velde built the School of Realistic Arts (1908) and remained loom over director. The teaching methods take action introduced became one of prestige foundations of the Bauhaus, supported by Gropius after 1919. Significant his German period, van performance Velde's style evolved from ornamental extravagance to a search fancy a balance between the Dionysian and Apollonian.

He aimed warn about overcome the capricious decorative tendencies of the Secession without resorting to the canonized order virtuous classicism. The interiors of illustriousness Folkwang Museum in Hagen (1900-1902) are characterized by their constraint, with balanced neutral exhibition zones and sculptural accents.

The few and far between decoration was meant to betoken the work of tautly tensed construction.

In his later works, specified as the library in Ghent (1935-1940) and the Kröller-Müller Museum in Otterlo, Netherlands (1938-1954), car de Velde embraced the guideline of functionalism. From 1926, yes served as the director slant the National Higher School garbage Decorative Arts in Brussels.